Jaap Luteyn - Evolution
- Description
- Jaap Luteyn (1944)
| Type of artwork | Drawing / Aquarelle |
| Year | 1969 |
| Technique | Pencil |
| Support | Paper |
| Style | Surrealistic |
| Framed | Framed |
| Dimensions | 30 x 11.5 cm (h x w) |
| Incl. frame | 40.8 x 31 cm (h x w) |
| Signed | Hand signed |
Translated with Google Translate. Original text show .
This is one of the early works of the artist who started with pencil drawings. The special thing is that they were made in a hospital during a stay (6 weeks) at Dermatology. They are drawn completely from memory.
There is also a video on You-tube of the artist with work from how it started from 1960 to 2022
Link: https://youtu.be/74KU2uXF3_M
The artist can also be found on the website jaapluteyn.exto.nl
He was also a working member of Kunstliefde in Utrecht (Ned) for a few years in 1977.
Exhibitions see website.
Jaap Luteyn attaches great importance to explaining his working methods and techniques, especially after misunderstandings about this arose.
His drawings always have a white border around them, which is created by taping off his drawing before he makes it. He then removes the tape and gets a nice tight frame.
Luteyn's work is always one unique piece, so no lithograph, etching or silkscreen with an edition.
Techniques:
1) - Pencil (graphite) but also colored pencils are always presented as a drawing in a white interchangeable frame with a passepartout.
2) - Pastel, Pastel pencil and Watercolor pencils are often combined and always presented as a drawing in an interchangeable frame with a passepartout.
3) - Acrylic paint: Always presented as a painting. The supporter can always provide his canvas, panel or drawing board with a simple frame that is usually replaced by the buyer anyway.
4) - Acrylic ink: and watercolour pencils are often combined and always presented as a drawing in an interchangeable frame with a passepartout.
5) - Oil paint: On turpentine or water-thinnable basis (later years) are always presented as a painting with simple narrow frame usually (metallic black). The supports are identical to those of acrylic paint.
Tools: Pencils, brushes and scalpels, and in some projects airbrush was used especially in skies.
There is also a video on You-tube of the artist with work from how it started from 1960 to 2022
Link: https://youtu.be/74KU2uXF3_M
The artist can also be found on the website jaapluteyn.exto.nl
He was also a working member of Kunstliefde in Utrecht (Ned) for a few years in 1977.
Exhibitions see website.
Jaap Luteyn attaches great importance to explaining his working methods and techniques, especially after misunderstandings about this arose.
His drawings always have a white border around them, which is created by taping off his drawing before he makes it. He then removes the tape and gets a nice tight frame.
Luteyn's work is always one unique piece, so no lithograph, etching or silkscreen with an edition.
Techniques:
1) - Pencil (graphite) but also colored pencils are always presented as a drawing in a white interchangeable frame with a passepartout.
2) - Pastel, Pastel pencil and Watercolor pencils are often combined and always presented as a drawing in an interchangeable frame with a passepartout.
3) - Acrylic paint: Always presented as a painting. The supporter can always provide his canvas, panel or drawing board with a simple frame that is usually replaced by the buyer anyway.
4) - Acrylic ink: and watercolour pencils are often combined and always presented as a drawing in an interchangeable frame with a passepartout.
5) - Oil paint: On turpentine or water-thinnable basis (later years) are always presented as a painting with simple narrow frame usually (metallic black). The supports are identical to those of acrylic paint.
Tools: Pencils, brushes and scalpels, and in some projects airbrush was used especially in skies.
Jaap Luteyn attaches great importance to explaining his working methods and techniques, especially after misunderstandings about this arose. His drawings always have a white border around them, which is created by taping off his drawing before he makes it. He then removes the tape and gets a nice tight frame. Luteyn's work is always one unique piece, so no lithograph, etching or silkscreen with an edition. Techniques: 1) - Pencil (graphite) but also colored pencils are always presented as a drawing in a white interchangeable frame with a passepartout. 2) - Pastel, Pastel pencil and Watercolor pencils are often combined and always presented as a drawing in an interchangeable frame with a passepartout. 3) - Acrylic paint: Always presented as a painting. The supporter can always provide his canvas, panel or drawing board with a simple frame that is usually replaced by the buyer anyway. 4) - Acrylic ink: and watercolour pencils are often combined and always presented as a drawing in an interchangeable frame with a passepartout. 5) - Oil paint: On turpentine or water-thinnable basis (later years) are always presented as a painting with simple narrow frame usually (metallic black). The supports are identical to those of acrylic paint. Tools: Pencils, brushes and scalpels, and in some projects airbrush was used especially in skies.
| Condition | |||||||||||
| Condition | Very good | ||||||||||
| Always kept in the dark in a cupboard and drawn on expensive scratch-resistant drawing paper. | |||||||||||
| Shipment | |||||||||||
| Pick up | The work can be picked up on location. As a buyer you must bring your own packaging materials. The location is: Lopik, The Netherlands | ||||||||||
| Shipment | Parcel post | ||||||||||
| Price | Up to 5 kg.
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| Extra | Send by regular mail for maximum € 5,- at your own risk | ||||||||||
| Guarantee | |||||||||||
| Guarantee | By putting the item up for auction, I agree with the Terms of Guarantee as they are applicable at Kunstveiling regarding the accuracy of the description of the item | ||||||||||
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Dutch