Jeanne Bieruma Oosting - Private mansion, soft varnish ets
- Description
- Jeanne Bieruma Oosting (1898-1994)
| Type of artwork | Prints (signed) |
| Year | 1937 |
| Technique | Etching |
| Support | Handmade Paper |
| Style | Modern |
| Subject | Cityscape |
| Framed | Not framed |
| Dimensions | 57 x 38 cm (h x w) |
| Signed | Hand signed |
Translated with Google Translate. Original text show .
Very nice etching from the portfolio Les fenetres, le soir (1937); Oosting's sought-after Parisian period. Vernis mou etching on Rives paper, signed, dated ('37) and titled in pencil and monogrammed and dated in the plate. In very good condition.
Dimensions: 57cm x 38cm (sheet), 30cm x 20cm (etching image)
For example, this etching is also in the collection of the Centraal Museum in Utrecht:
https://www.centraalmuseum.nl/nl/collectie/26949-004-les-fenetres-le-soir-le-hotel-particulier-jeanne-bieruma-oosting
This artwork can be well packed and shipped by registered mail at the buyer's expense.
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Jeanne Bieruma Oosting's Parisian period lasted from 1929 to 1940. In 1929 she left for Paris, where she immersed herself in the vibrant artistic life of the city for eleven years. This period ended when she returned to the Netherlands in 1940, due to the outbreak of the Second World War. It was a crucial time in her development as an artist, during which she became known mainly for her innovative graphic work.
Dimensions: 57cm x 38cm (sheet), 30cm x 20cm (etching image)
For example, this etching is also in the collection of the Centraal Museum in Utrecht:
https://www.centraalmuseum.nl/nl/collectie/26949-004-les-fenetres-le-soir-le-hotel-particulier-jeanne-bieruma-oosting
This artwork can be well packed and shipped by registered mail at the buyer's expense.
---------------------
Jeanne Bieruma Oosting's Parisian period lasted from 1929 to 1940. In 1929 she left for Paris, where she immersed herself in the vibrant artistic life of the city for eleven years. This period ended when she returned to the Netherlands in 1940, due to the outbreak of the Second World War. It was a crucial time in her development as an artist, during which she became known mainly for her innovative graphic work.
When purchasing, a work of art can always be picked up in Diemen (near Amsterdam, a few minutes from the A10 ring road), but only by appointment. The period for collection is very generous; you can possibly pick up the work weeks or even months later and, if possible, combine it with a visit to (the area around) Amsterdam for other matters. In that case, you will of course save on shipping costs. The only exception to the above is that if the seller at any time decides to ship the work free of charge , this is binding, i.e. the work cannot be picked up in that case. This will only happen in exceptional cases and the buyer will not run any financial risk.
| Condition | |||||||||
| Condition | Very good | ||||||||
| Some small spots on the outer edges of the sheet, but framed with a passe-partout the work is excellent. | |||||||||
| Shipment | |||||||||
| Pick up | The work can be picked up on location. As a buyer you must bring your own packaging materials. The location is: Diemen, The Netherlands | ||||||||
| Shipment | Parcel post | ||||||||
| Price | Up to 5 kg.
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| Guarantee | |||||||||
| Guarantee | By putting the item up for auction, I agree with the Terms of Guarantee as they are applicable at Kunstveiling regarding the accuracy of the description of the item | ||||||||
The seller takes full responsibility for this item. Kunstveiling only provides the platform to facilitate this transaction, which has to be settled directly with the seller. More information .
Dutch