Rob Scholte - Large Silkscreen "National Strip Card" - 1990 - Edition: 8/125 signed - Sold
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- Description
- Rob Scholte (1958)
| Type of artwork | Prints (signed) |
| Year | 1990 |
| Technique | Silkscreen |
| Support | Paper |
| Style | Modern |
| Framed | Not framed |
| Dimensions | 81 x 59 cm (h x w) |
| Signed | Hand signed |
Translated with Google Translate. Original text show .
- Rob Scholte (Amsterdam, 1958)
"National strip card"
silkscreen on paper
circulation: 125 copies (this is number 8)
size: 81 x 59 cm.
excellent condition
without frame
year: 1990
hand signed
one of the most iconic and sought after works by Rob Scholte!
Large screen print on high-quality BFK Rives paper "Nationale Strippenkaart". Made by Rob Scholte in 1990 in an edition of 125 copies. Signed and dated in pencil lower right, numbered lower left. Loose-leaf - in very good condition.
Rob Scholte
Anything goes, there is no single truth, authenticity is an illusion and nothing is unique. The motto of the 80s is taken to the extreme by Rob Scholte (Amsterdam, 1958).
He believes that originality does not exist. In many of his paintings, he paints, in his typical precise and realistic style, existing images from advertising and media. Scholte throws traditional ideas within painting overboard, his painted copyright sign – a copyright of copyright – testifies to that.
Scholte takes on our ideas about what is real, unique and authentic. The catalogue for his solo exhibition How to Star, which took place in Museum Boijmans Van Beuningen in 1988, is a good example of this. The book is entirely composed of quotes about Scholte that have previously appeared in newspapers, magazines and books.
Postmodern and eclectic is also Scholte's Utopia (1986), a nude in the form of a wooden doll, lying on a sofa. It is a clear stylistic quote from Titian's Venus of Urbino (1538) and the derived Olympia (1863) by Manet. Scholte: "I assemble and clone. Just call me the Mengele of painting."
Scholte studied at the Minerva Academy in Groningen (1975) and at the Vrije Academie in The Hague (1976) before choosing the audiovisual direction at the Gerrit Rietveld Academy in Amsterdam (1977-1981). Scholte's work was shown at the São Paolo Biennale, Documenta 8 and the Venice Biennale, respectively in 1985, 1987 and 1990.
If you would like to view the artworks offered by us (before the auction ends), you are of course very welcome in our shop in Purmerend. Please send a message/email in advance to schedule an appointment. After the auction you can choose from various shipping (Postnl) / delivery (Swift or our own courier) and / or pick-up options (depending on the size and fragility of the item in question). The packaging is done carefully and with sufficient material (bubble wrap / mdf panels) to limit any damage to a minimum. For multiple purchases we will, where possible, combine shipping to keep the costs for you as low as possible. Pick-up is possible at any time up to 1 month after purchase! If you need more time, that is always negotiable.
| Condition | |||||||||||
| Condition | Very good | ||||||||||
| Shipment | |||||||||||
| Pick up | The work can be picked up on location. As a buyer you must bring your own packaging materials. The location is: Purmerend, The Netherlands | ||||||||||
| Shipment | Parcel post | ||||||||||
| Price | > 10KG or bigger than 1.00 x 0.50 meter
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| Guarantee | |||||||||||
| Guarantee | By putting the item up for auction, I agree with the Terms of Guarantee as they are applicable at Kunstveiling regarding the accuracy of the description of the item | ||||||||||
The seller takes full responsibility for this item. Kunstveiling only provides the platform to facilitate this transaction, which has to be settled directly with the seller. More information .
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