David Hockney - Das Summen der blauen Gitarre - Aquatinta, Ets - 1976

David HockneyThe Buzzing of the Blue Guitar - Aquatint, Ets - 1976

Ets, Aquatint met prachtige kleuren.
53 x 54.5 cm

Prachtig zwevend ingelijst met dubbele passe-partout en uv-werend museumglas in mooie  houten kader
82 x 72 cm
Rechtsonder handgesigneerd in potlood
linksonder genummerd in potlood
155/200

Printed by Dany Levy, London. Published by Petersburg Press 1977. 

Literature: The Midland Group and the Scottish Arts Council: “David Hockney prints 1954–77”, London, 1979, no. 206. Literature: “David Hockney prints 1954–1995”, Museum of Contemporary Art, Tokyo, 1996, no. 185.



In 1976 Henry Geldzahler introduced Hockney to Wallace Stevens' 1937 poem, The Man with the Blue Guitar, which used Picasso's Blue period painting The Old Guitarist (1903–04) as its central theme. Hockney produced a number of drawings in response to the poem, which highlights the problem of the imagination's role in interpreting reality, and produced a set of coloured etchings using the method devised by Aldo Crommelynck for Picasso to make colour prints. Hockney said his illustrations "like the poem, they are about transformations within art as well as the relation between reality and the imagination, so these are pictures within pictures and different styles of representation juxtaposed and reflected and dissolved within the same frame. 
https://en.wikipedia.org/wiki/The_Blue_Guitar
https://www.moma.org/collection/works/200724?association=portfolios&page=1&parent_id=69121&sov_referrer=association


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